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・ Manuel Echezarreta
・ Manuel Eduardo de Gorostiza
・ Manuel Egozcue Cintrón
・ Manuel Eguiguren Galarraga
・ Manuel Eisner
・ Manuel Elkin Patarroyo
・ Manuel Enrique Araujo
・ Manuel Enrique Ovalle Araiza
・ Manuel Enríquez
・ Manuel Enríquez Rosero
・ Manuel Erotikos Komnenos
・ Manuel Escorcio
・ Manuel Esparza
・ Manuel Esperón
・ Manuel Espino Barrientos
Manuel Espinosa
・ Manuel Espinosa Batista
・ Manuel Esquivel
・ Manuel Esteba
・ Manuel Estiarte
・ Manuel Estrada Cabrera
・ Manuel Estêvão Sanches
・ Manuel Etura
・ Manuel Eyre
・ Manuel Ezequiel Bruzual
・ Manuel Ezequiel Bruzual Municipality
・ Manuel F. Alsina Capo
・ Manuel F. Araujo
・ Manuel F. Cohen
・ Manuel F. Coronel


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Manuel Espinosa : ウィキペディア英語版
Manuel Espinosa

Manuel Espinosa was an Argentinian painter.
==Biography==
Manuel Espinosa (Buenos Aires, 1912 - Buenos Aires, Argentina, 2006), graduated from the Escuela Nacional de Artes and finished his studies in the Escuela Superior de Bellas Artes, he is one of the precursors of the geometric art in Argentina. He was a founding member of the asociación de Arte Concreto-Invención which was established in Buenos Aires in 1943.
Averaging the 2nd World War, the group proposed a rupture as an alternative. Said rupture was related to the search for a new visual language corresponding to the exigencies of a new technological, industrial society. The group sustained common goals: the art should be non-figurative art, the painting flat, and the illusions and appearances banished, moving away from traditional painting. They looked for the worth of the painting itself. In 1951 he traveled to Europe and met Vantongerloo in Paris and Vordemberge-Gildewarth in Amsterdam, who guided him in his pursuit.
Upon the dissolution of the group, Espinosa left the common goals but remained faithful to the spirit of non-figuration and produced a painting constructed from geometric elements, characterized by a rigorous system of order and by the perfection of their registers. Clarity, moderation, are attributes of his painting, which with minimal elements arranged serially produce subtle effects of color and space and a dynamic tension that creates an impression of depth. It employs transparencies, juxtapositions, superpositions that generate an optical effect of unquestionable interest. He is one of the painters who most enjoys the game aroused by reason and sensitivity, a consequence of his special relationship with music and literature.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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